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Fast Facts
Founded: May 5, 1912 Northwestern University, Evanston, Illinois
Colors: Violet & Gold
Flower: American Beauty Rose
Badge: Monogram of the Greek letters in gold: Phi plain or jeweled with pearls, Beta chased
Magazine: The Baton
National Philanthropy: The MacDowell Colony

History of Phi Beta Fraternity

Phi Beta Fraternity began as a local club at Northwestern University in Evanston, IL on May 5, 1912. The three founders, Josephine Mack, Elsie Schultz and Gladys Burnside, had no idea that their local club would grow to a national association. Gladys, the artist, devised the badge, Josephine focused on organization and ritual, and Elsie worked to solidify remaining details. From its inception Phi Beta held the ideal of uniting arts, evidenced by the selection of some her first members: from the School of Music came Mae Aurelius and Clara Ayers and from the School of Oratory came Rosebud Fortier, Gertrude Thomas and Evelyn Owens.

In the fall of 1914 the fraternity was incorporated by the State of Illinois. Phi Beta, at that time consisting exclusively of women, rented a house at 1928 Sherman Avenue in Evanston. Susan B. Davis, an admired member of the faculty, was chosen as the first honorary member of Phi Beta. Grace Mattern, who penned many of Phi Beta's rituals and ceremonies, was not initiated until 1914, when she returned to Evanston to pursue her Master's degree and join the faculty at Northwestern's School of Speech.

Our founders' vision of an organization that would promote the arts through service appealed to others. By 1915, a group of women at the Chicago Conservatory had petitioned to charter a chapter of Phi Beta Fraternity. Beta chapter was installed on July 13, 1917. Helen Rowan served as Phi Beta's first national president. The first Convention was held in the spring of 1918 in Chicago, IL. Interest continued to grow in the relatively new fraternity. Phi Beta continued to initiate new chapters nationwide.

In the beginning, the fraternity was exclusive to women majoring in music and speech. Over time, the fraternity has grown to embrace all of the creative and performing arts and their related therapies and histories. In 1976 chapters voted on the matter of gender exclusion. Phi Beta today includes women and men and continues to be professionally focused.

Phi Beta has completed several national projects including: hand enlarging music for the visually impaired, service in USO shows, aid to music programs in Mexico, and most notably her work with The MacDowell Colony.

Phi Beta Fraternity is the only national professional fraternity that encompasses all of the arts. While other fraternities specialize in theater and music, Phi Betas treasure their diversity and recognize that artists of all kinds can learn from each other while supporting each other professionally and socially.


Josephine Mack


Elsie Schultz


Gladys Burnside


Grace Ann Mattern

The Creed of Phi Beta Fraternity

We, the members of Phi Beta National Professional Fraternity for the Creative and Performing Arts, express reverence and love for these, the beautiful teachings of our fraternity. Our belief is that they will carry us to the final attainment of a life well lived and a goal honorably achieved.

To promote the best in the creative and performing arts. We believe that it is given to each of us to be creative. All talents we possess have been given us that we may develop and use them for the preservation of the highest artistic standards.

To live a life of service. There is great joy from working zealously at a genuinely worthwhile task. What we put into life-just that much is returned to us, and no more.

To seek and develop the highest type of humanity. Herein we strive to look for the outward qualities which are the reflection of inner beauty, to keep constantly before us the attributes of love and sincerity, and to hold fast to Truth and the beautiful things of Life.

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